WRITING IN THE DARK
Michelle Ryan
It's June, and I am wearing a sweatshirt—weather is so confusing to me now. My mind always reaching for a tangible home between the East and San Francisco, the word home so used and meaningless. I write by the beam of someone else's flashlight, old friends, people I don't even have to see to feel. Where has she gone? I wonder that about someone other, but of course, it is me I really wonder about—all connected and loose, tied but free. As long as it's my choice. So I see Lisa writing a few feet away. In the dark, I thought I saw a bird feeder. But then a light moved up and revealed a hand moving across paper and a head bent over, and then I saw it was her. I saw where she was.
Do I always have a smile on my face?
When other people are around? In my eyes,
if not on my face? I don't mind if I do,
but do I look happy to them?
Amenable?
I think I look too amenable.
I feel it coming on—
a desire to make another person,
everyone in my presence,
feel better.
As if my smile could do that—
my amenableness makes others feel
more amenable? If only
for a second. I've seen it happen,
have smiled every so slightly,
threw quick warmth in my eye,
at someone stern.
I'll see a flicker of friendliness
ripple over a face
despite itself,
provoked response.
I am trapped in it.